| Notes about Intaglio Prints, Etching, and Monotypes Relating to Tessa Johnson's Prints
 
          
            
              | An intaglio       print is an image printed from an etched metal plate. Often       intaglio prints are referred to as etchings. They       are "Fine Art Prints."
 
 Etching is the process of working a design into metal       by the corrosive action of acids.
 
 A printing plate is created through this etching process which       will hold a design or image. The metal plate, usually copper,       zinc, or soft steel, is coated with an acid resistant ground       then engraved or carved . The exposed plate is placed in acid       to create a texture. The plate is then coated with a thick oil       based ink and wiped with a rag to remove the excess ink. The       areas with texture hold the ink, the smooth areas are wiped clean.       Each print is hand inked and wiped individually.
 
 Aquatint is a variation of etching where rosin and acid       are used to create a porous surface to create tonal areas. This       is my favorite process.
 
 Dry Point etching is a variation of etching where no acid       is used .The design is created by scribing lines into metal plate       (copper, zinc, soft steel, etc.) with hard steel - or diamond-point       needles. A burr is formed along the scribed lines that holds       the ink and creates the image. Drypoints are a great deal more       delicate and hold up for a smaller edition than acid formed etching.
 
 Most etchings are a combination of several etching techniques.
 
 To print an etching, the metal etched and inked plate is place       on the press bed face up, wet printmaking paper is placed over       the plate, then a wool blanket called a felt is placed over the       paper. Like a sandwich the three components are run through the       etching press to create a print. The paper is then lifted off       of the plate and the result is an Intaglio print or an etching.
 
 Etchings are printed in editions. A limited edition or limited       number of prints are made. After a number of printings, the plate       looses the sharp image and begins to show wear. This is particularly       noticable in Dry Points. I make 50 prints at the most and then       strike the plate by carving an X over the face of the plate.       This is the standard way for a printmaker to destroy his plates.
 
 A Monotype or Monoprint is a print in an edition       of one; a unique print. Actually it is a printed painting or       printed drawing on a smooth etching plate that is then run through       the etching press to transfer the image to paper. I use an oil       paint or ink and print the image in the same manner in which       an intaglio print is done.
 
 
 Each print is numbered and signed. 11/40 is the 11th print done       in an edition of 40 prints. An Artist Proof is a print       made to test the plate and then for use as quality control in       the edition. Sometimes they are sold and marked with an AP.
 
 Etching is quite a toxic process. In the past 20 years many developments       in the process have been made just that reason. Printmaking is       an ever changing process.
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